The xx factor: its the quiet ones you have to watch

Published: 21 Jul 2010

 

 

When the Mercury Prize was announced this week, the xx were quickly installed as bookies favourites. Actually, they were favourites before the shortlist was even announced, topping every critic’s list of predictions.

There are more established names up for the prize (Paul Weller, Dizzee Rascal, Corinne Bailey Rae) but the xx have been taking the music world by stealth not storm, creeping up on the slow lane with one of the most original yet seductively approachable debut albums in recent memory. It never even broke into the UK top thirty (peaking at number 31, although that is likely to change now) but it has already quietly notched up over 150,000 British sales, with another 179,000 in America (where it just scraped into the top 100, at number 92).

Quietly is the operative word. Everything about the xx is low key and understated. Even their name is typed in lower case. Indeed, so minimalistic is the xx’s ethos that when keyboard player Baria Qureshi left right before a gig, they opted not to replace her, instead boiling down their already basic arrangements to accommodate a three piece of drums, bass and guitar.

What is truly remarkable is that they manage to create something unique with such a standard rock line-up.

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